Show simple item record

dc.contributor.advisorMartinson, Deborah
dc.contributor.authorFahs, Breanne
dc.date.accessioned2020-08-13T14:56:59Z
dc.date.available2020-08-13T14:56:59Z
dc.date.issued2000-01-01 0:00
dc.identifier.urihttps://scholar.oxy.edu/handle/20.500.12711/922
dc.description.abstractThis research will examine the different subjectivities of white jazz critics as compared with the reported standpoints of New Orleans jazz musicians themselves. I will seek to uncover the various strategies the white critical literatures have used to render jazz and jazz musicians as natural, essential, and primitive. These constructions will be viewed against the oral records of jazz musicians who, I hypothesize, will discuss their work as highly contextualized and socially-constructed. Implications for discursive racism, cultural and social influences on jazz, and the increasing whitening of jazz will also accompany this primary analysis.
dc.description.sponsorshipPaul K. & Evalyn E. Cook Richter Trusts - International Fellowship
dc.titleSubjectivity, Interiority, and Racial Dialogue: An Archival and Oral Analysis of Jazz in New Orleans.
dc.typearticle
dc.abstract.formathtml
dc.description.departmentenwr
dc.source.issueurc_student
dc.source.issueurc_student
dc.identifier.legacyhttps://scholar.oxy.edu/urc_student/264
dc.source.statuspublished


Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

Show simple item record